It’s been a while since the last update on Get in (or on anything else for that matter), but we haven’t been sitting still. Here’s a rundown of what I —and we as a team— have been working on:

Funding
We recently applied for funding, and now it’s a waiting game to see if we get approved.
UPDATE 25-02-2025 | We just received news that we got financed by the first fund we applied to.
Script
After many revisions, I have completed the final rewrite a few months ago, and the script is now fully finished.
Editor
Allard Zoetman,
a highly skilled and well-known editor and VFX artist and compositor, has joined the team for the post-production of our film. Allard might also join the shoot as a post-production supervisor. We go back almost twenty years to MacGyver Amsterdam and Istanbul.
Wardrobe & Make-up
UPDATE 05-03-2025 |  Saskia Wagenvoort has joined the team as wardrobe and make-up. With an impressive background in the film industry, she was responsible for casting extras for Zwartboek (Black Book), directed by Paul Verhoeven and has contributed to numerous other productions. Beyond her work in film, Saskia is also a highly talented and creative photographer.
Location Scouting
We’ve shortlisted potential locations and will start scouting in April.
Storyboards
I had a video call with storyboard artist Ted Slampyak Kinyak, who has worked on Breaking Bad, Better Call Saul, and many other projects. He recently reached out while looking for fellow creatives and production companies in the Netherlands. After getting acquainted, he offered to create storyboards for Get In. If our budget allows, this will prove very useful for several specific shots.
Shot List
A while back, I started extensively shot-listing the short film—breaking down the script, generating a lot of shots, and then refining them to the essentials. DP Willem Tiemersma has done the same. Soon, we’ll compare our shot lists, see where they align or differ, and finalize our approach from there.
Lighting Plan
At the same time, Willem and I have been collaborating on how to light the car (both interior and exterior) as well as the surrounding environment such as the trees, the road, and everything in between.
​​​​​​​
Principal Photography
Principal Photography is now set somewhere between June and August of 2025.

More updates coming soon!
Track the project on IMDbPro.

More updates

Back to Top